Following in the same vein as Sonic Youth’s Rather Ripped, the lights are lowered and the aggression is turned down–what pours forth is a mostly subdued and personal affair. Going along for the ride are Samara Lubelski on violin, and Steve Shelly on drums. J Mascis occasionally steps in with a solo and makes sure things don’t get too somber.

The more memorable tracks are to be found on the first half of this disc. “Frozen Gtr” and “Silver Blue” are mid-tempo and come close to an alt-country vibe. “Fri/End” is the most upbeat and pop-oriented song of the bunch. J Mascis puts the finishing touch on “The Shape Is In A Trance”. “Honest James” is perhaps my favorite; a two minute instrumental preceding a duet with Christina Carter is a brief near-spiritual gem. Moore’s trademark noise and feedback aren’t entirely absent; there are some bits of noise interspersed throughout. The record plays like a tenuous moment of clarity, but in the end, the madness eventually sees its way through.

Solo Album Preview

The Verdict: Thurston’s first solo effort in 12 years starts out strong and maybe becomes a tad bit unfocused towards the end. Songs such as “Off Work”, “Wonderful Witches”, and the non-song “Free Noise Among Friends” derail the peaceful, reflective tone of the record. Nonetheless, It’s a very worthwhile listen and a nice look at this legendary, indie rocker’s contemplative side.
The Shape Is In A Trance

Honest James

Get the CD